Mage Manual

Chapter 291 - 291 249 When did you meet a wild woman

?Chapter 291: Chapter 249 When did you meet a wild woman? Chapter 291: Chapter 249 When did you meet a wild woman? “If hating you with all my strength, avoiding you at every encounter was possible…”
Igula hummed the theme song of the drama softly as he wrote down his reflections in his notebook. This indicated that he had finished another drama that ranked among the top ten on this year’s “Popular Drama List.”

Yes, even entertainment products have their own rankings, points awarded by the Gospel List are proportionately distributed to investors, producers, actors, and behind-the-scenes staff—because of the existence of these lists, the quality of dramas in the Kingdom of Gospel far exceeds that of the Kingdom of Blood Moon.

It’s not that Igula is fawning over foreigners, for example, the Kingdom of Blood Moon is currently dominated by flow, where the most charismatic actors snatch the most benefits, whereas here in the Kingdom of Gospel, screenwriters lead the production, holding equal say with directors, not only obtaining most of the benefits but also having the authority to participate in filming and actor selection. Thus, the more popular the drama, the more perfect its pacing, making you unable to detach from the very first second, turning into a ruthless binge-watching machine that always wants to watch the next episode.

Apart from the script, filming equipment, techniques, dialogue skills, actor selection… in nearly every hardware and software aspect, the entertainment industry of the Kingdom of Gospel completely blasts the Kingdom of Blood Moon out of the water. The gap between them is as vast as between the Time Continent and the Sea of Knowledge—simply not on the same level.

Igula grew increasingly convinced that the Kingdom of Blood Moon was the filthiest country in the world, its cities inferior to Gospel, its culture inferior to Gospel, even its cult leaders of Blood Moon weaker than the Eternal Damnation of Gospel, save for a rounder moon, the Kingdom of Blood Moon was utterly worthless.

However, he wasn’t watching dramas simply to idle away the time; he had been watching dramas at 8x speed for the past few days, all to observe the desires of the Kingdom of Gospel.

Entertainment reflects the hearts of contemporary people, all the more so with popular content. For example, romance dramas in the Kingdom of Blood Moon all start with a sudden accident, as Blood Moonians long for unconventional relationships and despise their own reality.

For example, many crime dramas involve protagonists being framed by companies, legislators, Civil Affairs Officers, and other upper-class individuals, representing a shared cognition among Blood Moonians;
Even baby-swapping dramas, where high-quality babies are mistakenly raised in low-tier nurseries, and low-quality babies in high-tier nurseries, leading to intertwined lives in urban emotional dramas, represent the Blood Moonians’ obsession with nurseries;
In recent years, post-apocalyptic dramas have been popular in the Kingdom of Blood Moon, starting with sudden disasters that obliterate everything, followed by exhilarating plotlines where protagonists seize opportunities, indicating that prisons across Blood Moon should consider expansion plans.

Previously, one of Igula’s preparatory tasks was to investigate what kind of dramas clients preferred. If a client liked post-apocalyptic series, he would steer the conversation toward criticizing society and expressing contempt for worldly values; if they liked romance dramas, he would share his own love stories—after all, with his good looks, any love story would seem reasonable.

What entertainment the client enjoyed reflected their desires, and what dramas the citizens liked could naturally reflect the most superficial contradictions of a nation.

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